Statues along the roofline of St Peter's Basilica against a pale sky

European Fraternity

The Fraternity

A Christian European network, based on friendship and trust, which promotes a fraternal Europe respectful of the differences and particularities of each country, culture and tradition.

Our calling

Vision and mission

Our vision

A Europe-wide community of service-oriented members, called to act as creative minorities, engaging every sphere of society to shape Europe towards the hope of Christ.

Our mission

To foster a community of Christ-centred members, fraternally united and locally engaged, dedicated to the spiritual and cultural renewal of Europe.

The membership

Members

Members come from across Europe and from across the Christian traditions. They are professionals, entrepreneurs, academics, artists, parents and public servants.

In a time of moral, spiritual and social confusion, the Fraternity builds intentional Christian community and commits itself to the promotion and safeguarding of the spiritual, cultural and political heritage of Europe. Its principles and its vision of the human person are anchored in Christian social thought.

The interior of a baroque church dome, gilded and lit from above

The structure

Three levels

I

A community of members

An international community of Christian leaders, professionals and doers from many countries and traditions, who share the desire to renew Europe.

II

Fraternal life

Friendship and trusted connection across Europe: local chapters and smaller circles formed around places, professions, questions and stages of life.

III

Strategic platforms

Spaces where members and their peers meet: gatherings, formation, study journeys and mission outreach, and support for member-led initiatives in every sphere of society.

A borrowed word

A creative minority, and its opposite

Toynbee compared more than twenty civilisations. None was carried by its majority. Each rose when a small group met a hard challenge with a better answer, and others followed freely. He called such a group a creative minority.

Seven turning points

  1. A.D. 40

    A few thousand Christians in the Roman Empire. They nursed plague victims and took in abandoned children.

  2. A.D. 362

    Emperor Julian complains that the Christians “support not only their own poor, but ours as well”. He tries to copy them, and fails.

  3. c. 500

    A young student leaves ruined Rome for a cave at Subiaco. His rule gives rise to the monasteries that saved the books, cleared the land and taught Europe to pray and work again.

  4. 6th–8th c.

    A handful of Irish island monasteries carry literacy and faith back to a broken continent.

  5. 910

    One abbey, Cluny, sets off a reform that renews the whole Western Church and its culture.

  6. 1790s

    A dozen friends around William Wilberforce. In 1807 Britain abolished the slave trade.

  7. 1980s

    A praying minority around a Polish pope. In 1989 the Soviet bloc falls without a shot.

The Arch of Titus in Rome against a dark evening sky Arch of Titus, Rome

“Civilizations die from suicide, not by murder.”

Arnold J. Toynbee
St Peter's Basilica and the Tiber at dusk, Rome Rome

40%

growth per decade, for 250 years. By A.D. 350 Christians were more than half the Roman Empire.

Rodney Stark, The Rise of Christianity

“It is the creative minorities that determine the future.”

Benedict XVI, 2009

Pope Benedict XVI took the term from Toynbee and changed its grammar. What had been a description of how history works became a vocation: Christians in Europe should neither dream of restored majorities nor retreat into a sect, but be a creative minority: small, convinced, joyful, intellectually serious, and generating culture rather than policing it. Minority status is no longer something we choose. The kind of minority we are still is.

Toynbee’s most uncomfortable observation is the one we apply to ourselves. A dominant minority is not a different species from a creative one: it is a creative minority that stopped creating and kept the throne.

Creative and dominant minorities compared
Creative minorityleadsDominant minorityrules
FollowedFreely, by imitation. It attracts.Reluctantly, out of fear. It coerces.
AuthorityEarned by solving society’s real challenges.Held by privilege and apparatus.
CultureGenerates it: ways of life, institutions, art.Polices it: censors, manages, freezes.
Towards the wholeServes it, and renews itself.Extracts from it, and defends itself.
Its effectLeaven in the dough.Dynamite under the house.

The moment influence becomes the goal rather than the by-product, a creative minority has started to become a dominant one.

In practice

Four pillars

I

Spiritual and fraternal support

Prayer is the ground the Fraternity stands on. Members carry one another's intentions, and every gathering makes room for spiritual nourishment: texts, silence, meditation. Discernment becomes possible, and strength is restored.

II

European cultural awareness

To love is to know. Europe's diversity asks something of us personally, culturally and spiritually: to recognise what unites us and to treasure what distinguishes us. Whoever does not know where they come from will not know where they are going.

III

Forming and equipping

Shaping the future takes formed character and real tools. The Fraternity offers intellectual nourishment (seminars, meetings, conversation with people who think well) and a network in which members hold each other to a standard.

IV

A network of collaboration

Faith is expressed in charity. Members find through the Fraternity the people they need in order to act.

The standard we keep

Excellence and virtue

Western civilisation was built by people striving to advance in virtue and to fill their families, their work and the public square with what is true, good and beautiful. That is the tradition the Fraternity belongs to, and it sets a plain expectation of every member: do your own work well.

Members are held to a standard of personal and professional excellence, and to magnanimity in their striving for a worthy and prosperous society. Neither counts for much without the other. We ask for both of ourselves before asking them of anyone else, in the ordinary places where our lives are actually lived.

Work done well is itself a kind of charity, and it persuades where arguments do not.

Vienna at first light, domes and towers emerging from the haze

Where we stand

Seven convictions

01

Christ at the centre

02

The dignity of every person

03

Marriage and the family

04

Freedom of conscience

05

Friendship as the foundation

06

A united and fraternal Europe

07

The soul of Europe

Ask us anything

Questions about the Fraternity, its work, or a possible introduction are always welcome.